Showing posts with label Jon Klassen. Show all posts
Showing posts with label Jon Klassen. Show all posts

Tuesday, February 12, 2013

Focus on Caldecott!

The Caldecott Medal was named in honor of nineteenth-century English illustrator Randolph Caldecott. It is awarded annually by the Association for Library Service to Children, a division of the American Library Association, to the artist of the most distinguished American picture book for children.

 

2013 Medal Winner

This Is Not My Hat by Jon KlassenThe 2013 Caldecott Medal winner is This Is Not My Hat, written and illustrated by Jon Klassen, published by Candlewick Press.
In this darkly humorous tale, a tiny fish knows it’s wrong to steal a hat. It fits him just right. But the big fish wants his hat back. Klassen’s controlled palette, opposing narratives and subtle cues compel readers to follow the fish and imagine the consequence.
“With minute changes in eyes and the slightest displacement of seagrass, Klassen’s masterful illustrations tell the story the narrator doesn’t know,” Caldecott Chair Sandra Imdieke said.

2013 Honor Books

Creepy Carrots book cover
Creepy Carrots!, illustrated by Peter Brown, written by Aaron Reynolds and published by Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division
Jasper the rabbit loves carrots until he notices they are everywhere. He is convinced they’re coming for him! Pronounced shadows, black borders and shaded edges enhance this ever so slightly sinister tale with a distinctly cinematic feel. This is one serving of carrots children will eagerly devour.



Extra Yarn book cover
Extra Yarn, illustrated by Jon Klassen, written by Mac Barnett and published by Balzer + Bray, an imprint of HarperCollins Publishers
A selfish archduke threatens to halt a little girl's transformation of a colorless town and steal her box of magical yarn. Klassen's innovative digital technique results in shifts of color that signal character change and critical turns of plot -all done with just the right stitches of humor.



Green book cover
Green, illustrated and written by Laura Vaccaro Seeger and published by Neal Porter Books, an imprint of Roaring Brook Press
In this original concept book, Seeger engages all the senses with her fresh approach to the multiple meanings of “green.” Using thickly-layered acrylics, word pairings and cleverly placed die cuts, she invites readers to pause, pay attention and wonder.



One Cool Friend cover
One Cool Friend, illustrated by David Small, written by Toni Buzzeo and published by Dial Books for Young Readers, a division of Penguin Young Readers Group
Energetic line and dizzying perspective combine for a rollicking tale of Father, Elliot and a highly improbable pet (or two). Buzzeo’s text, brimming with sly wordplay, earns its perfect counterpoint in Small’s ink, watercolor and pencil illustrations with chilly details and visual jokes that invite many repeated readings.



Sleep Like a Tiger book cover
Sleep Like a Tiger, illustrated by Pamela Zagarenski, written by Mary Logue and published by Houghton Mifflin Books for Children, an imprint of Houghton Mifflin Harcourt Publishing Company
Surrounded with dreamlike images of crowns, ornate patterns and repeated visual motifs, her parents coax her into bed. Using mixed media artwork on wood enhanced with computer illustrations, this is a whimsical story with universal appeal.


Members of the 2013 Caldecott Medal Committee are: Chair Sandra J. Imdieke, Ph.D., Northern Michigan University,Marquette, Mich.; Elise DeGuiseppi, Pierce County Library System, Tacoma, Wash.; Kerry J. Gleason, Wilmington (Del.) Institute Library; Sarah J. Howard, Daniel Boone Regional Library, Columbia, Mo.; Nancy J. Johnson, Ph.D., Singapore American School; JoAnn M. Jonas, San Diego County Library; Dr. Melanie D. Koss, Northern Illinois University, Department of Literacy Education, DeKalb; Wendy Lukehart, District of Columbia Public Library, Washington, D.C.; Dr. Miriam Martinez, University of Texas at San Antonio; Dr. Claudette S. McLinn, Center for the Study of Multicultural Children’s Literature, Inglewood, Calif.; Kiera Parrott, Darien (Conn.) Library; Carol Hanson Sibley, Minnesota State University, Moorhead, Minn.; Michelle M. Willis, Scotch Plains (N.J.) Public Library; Maida Wong, South Pasadena (Calif.) Public Library; and Dr. Nancy P. Zimmerman, University of South Carolina, School of Library and Information Science, Columbus, S.C.
The Newbery and Caldecott Medals and Honor Book seals are property of the American Library Association and cannot be used in any form or reproduced without permission of the ALA Office of Rights and Permissions.

Sunday, February 5, 2012

New and Notable!



EXTRA YARN
Barnett, Mac (Author), Klassen, Jon (Illustrator)
This picture book is certain to spark the imagination of every child who comes upon it, and what could be better than that? Annabelle lives in a black-and-white world, where everything is drab, drab, drab. So imagine her surprise when she finds a box filled with yarn of every color. Armed with the yarn and knitting needles, she makes herself a sweater, but when she finishes, she finds that she has extra yarn left over. After knitting a sweater for her dog, her classmates, and various (hilariously unsurprised) bunnies and bears, she still has extra yarn. So, Annabelle turns her attention to things that don’t usually wear wool cozies: houses and cars and mailboxes. Soon an evil archduke with a sinister mustache “who was very fond of clothes” hears about the magic box of never-ending yarn, and he wants it for his own. Reading like a droll fairy tale, this Barnett-Klassen collaboration is both seamless and magical. The spare, elegant text and art are also infused with plenty of deadpan humor. Klassen (I Want My Hat Back, 2011) uses ink, gouache, and digital illustration to fashion Annabelle’s world out of geometric shapes, set against dark, saturated pages, and against white as the town comes to colorful, stitched life. Quirky and wonderful, this story quietly celebrates a child’s ingenuity and her ability to change the world around her.

Reminds me of Yarn Bombing:

"The sight of neatly wrapped balls of wool and the phrase knit one, pearl one conventionally conjures up images of little old ladies lovingly creating cardigans and bootees, but the newly coined concept of yarn bombing could change all that …
There's a new craze sweeping cities all over the world, in which knitters have had the inspiration to knit for things rather than people. Conventionally at least, knitting is associated with creating things that will keep people warm – scarves, gloves, bobble hats and good old woolly jumpers. But it seems that there's a new craze sweeping cities all over the world, in which knitters have had the inspiration to knit for things rather than people. Imagine a lamp post with a scarf wrapped around it, or a UK telephone box with its own 'cosy' cover? From Perth and Michigan to London and Belfast, it's been possible in recent times to see splashes of artistic creativity such as these, whose wooliness and sudden, unsolicited appearance has inspired the term yarn bombing. If you're finding it difficult to imagine what they look like, then check out this link which has some great examples – my own personal favourite is the tree!"

Wednesday, November 30, 2011

I Want My Hat Back - The Horn Book

I Want My Hat Back

i want my hat back cover1 I Want My Hat BackThe bookseller at my local store was frantically restocking after the grand opening weekend and was making room to face out Jon Klassen’s wickedly funny I Want My Hat Back. After I commented on the book, she said, “I’ve read a lot about this book, but I have not had time to read it yet.”
“Come on, it’s a quick read. I promise you that kids are going to want to read it over and over, ” I laughed. I sure as heck wasn’t giving away the ending to this book. And I am not giving it away here either. I would never deprive a reader that exquisite pleasure of reading a book and guffawing at the twists and turns it takes. These animators (I am talking to you, Mo Willems and John Rocco) who write picture books have a special gift of pacing. They know when to stop putting words on the page.
According to the copyright page, these illustrations were “created digitally and in Chinese ink.” Using a brown palette with splashes of muted greens and browns and red, Klassen matched the typeface color with whichever animal is talking to the bear. When the animals talk to each other, their eyes face out at the reader, giving everything a shifty, don’t-take-us-too-seriously look. And, when rabbit enters the story, the reader notices two things: a red pointy hat and a lot of nervous red chatter. The bear barely (couldn’t stop myself) moves until he collapses, mourning the missing hat. When a deer arrives, eyes meet for the first time and we sense the shift in tone. The page turn makes it clear—a red hot page with all upper case text: Bear knows where his hat is and he is going to get it back.
hataback3a run back I Want My Hat Back
Here is what I think the committee will love: pacing, humor, use of the color red amidst the sepia-hued pages, the color-coded text, the thick luscious paper, the hilarious ending, the scene where bear runs to the left to back track the story, the standoff (told only with the eyes), and the sly resolution. I know they will love the end papers and all the design, especially the use of white space.
Will they like the ending? Will they share this with children to see what they think of the ending? (I sure hope so!)
You have to go all the way back to 1996 to find a truly hilarious book (Officer Buckle and Gloria) wearing that gold sticker. Will this be the year for humor?